Bob Brian is the founder and managing partner at Headquarters. Prior to his tenure at the company, he was President and CEO of Complete Post Technicolor and Matchframe Video. Bob started Headquarters for the purpose of establishing a creative environment and building a team of talented professionals so that filmmakers and television producers could confidently enjoy their finishing experience.
Ed Migliore is a founding partner at Headquarters. Ed manages all aspects of business affairs and finance at Headquarters. He is best known for his years spent at Complete Post Technicolor where he served as both Chairman of the Board and President. Ed is acknowledged throughout the post community for his financial skills and acumen.
Richard Garibaldi is a founding partner and senior colorist at Headquarters. As senior colorist, he provides the bridge between the creative and technical worlds as he oversees all aspects of color timing and management. Rich is recognized as one of the most respected colorists in the Los Angeles post production community. He has enjoyed the pleasure of collaborating with the industry’s top directors and cinematographers including Quentin Tarantino, Robert Duvall, Elliot Davis, Barry Markowitz, and Caleb Deschanel. His contributions can be seen on both feature films and episodic television series.
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Shaley Brooks is lead colorist for broadcast and digital streaming content at Headquarters. His work is respected throughout the industry and his color grading talents have been on display in such series as Modern Family, Desperate Housewives, The Mentalist, and Impastor. Shaley joined Headquarters after many years at both Modern Video and MPI Warner Bros where he worked with some of the industry’s most talented cinematographers. He is extremely knowledgeable with workflows and technologies that enhance the finishing processes for scripted programs.
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Scott Bradbury is lead editor for broadcast and digital programs at Headquarters. He is extremely fluent with all finishing platforms including Avid, Resolve and Smoke. Scott’s editorial credits include, Grey’s Anatomy, Private Practice, Scandal, Fuller House, Dice, Impastor, and Young and Hungry. His DI finishing credits include The Birth of a Nation, Miss Meadows, Powder and Gold, and Wild Horses. Scott brings an added talent to finishing by being an accomplished visual effects artist with both Flame and AfterEffects experience.
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Toby Rogers is lead editor for DI feature finishing at Headquarters. He brings a unique skill set to his work with his knowledge of editorial platforms, data management, and engineering systems and integration. Toby was one of the finishing editors on The Birth of a Nation, the 2016 Sundance winner of the Grand Jury and Audience Awards and Burning Sands, an Official Selection to the 2017 Sundance Festival.
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Justin Sale started at Headquarters during his senior year at North Carolina School of the Arts as an intern with the company. After graduation, he joined Headquarters full time as a data wrangler, restoration artist, and editorial assistant. He supports the many workflows the company provides, and plays an integral role in the final content deliveries of our feature films and broadcast programs.
Tony Bolm is Director of Operations at Headquarters and oversees the daily workflow needs of clients at the facility. He has been a leading force in facility operations throughout his career having held similar positions at Complete Post Technicolor and the Post Group. As has been the case since he entered post production, he is usually the first person in and the last to leave at night.
Tauzhan Kaiser is Director of Scheduling at Headquarters and the key point of contact for our clients. She is well known and admired for her skills in project management and thoroughly understands the importance of guiding clients seamlessly through the post production process. Tauzhan has managed the Post Production departments at Complete Post Technicolor, Visual Data, and NBCUniversal StudioPost.
Sue Brian is a partner and DI Producer at Headquarters. She began her career in post-production at Embassy Home Entertainment and moved to Disney’s Theatrical Marketing department as Director of Creative Film Services where she directed voice over talent, produced marketing projects for Disneyland, and supervised color and the finishing of the TV and Trailer campaigns for the studio’s theatrical releases.