Meet Our Team

Bob Brian  is the founder and managing partner at Headquarters. Prior to his tenure at the company, he was President and CEO of Complete Post Technicolor and Matchframe Video. Bob started Headquarters for the purpose of establishing a creative environment and building a team of talented professionals so that filmmakers and television producers could confidently enjoy their finishing experience.

Richard Garibaldi  is a founding partner and senior colorist at Headquarters. As senior colorist, he provides the bridge between the creative and technical worlds as he supervises all aspects of color timing and management. Rich is recognized as one of the most respected colorists in the Los Angeles post production community. He has enjoyed the pleasure of collaborating with the industry’s top directors and cinematographers including Quentin Tarantino, Robert Duvall, Elliot Davis, Barry Markowitz, and Caleb Deschanel. His contributions can be seen on both feature films and episodic television series.
Visit Rich’s IMDb Page

Tauzhan Kaiser  is Vice President & General Manager at Headquarters. In her role as GM, Tauzhan oversees all aspects of the company’s daily operations, creative staffing, and project management. She is a respected and admired industry veteran who has held executive positions at Complete Post – Technicolor, Visual Data, and NBC Universal Studio Post.

Tony Bolm  is Director of Operations at Headquarters and oversees the daily workflow needs of clients at the facility. He has been a leading force in facility operations throughout his career having held similar positions at Complete Post Technicolor and the Post Group. As has been the case since he entered post production, he is usually the first person in and the last to leave at night.

Stephen P. Arkle aka “Sparkle” is one of the most renowned and respected colorists in the industry with extensive credits in television, features and commercials. He has collaborated with such luminaries as Chuck Lorre, Seth McFarlane, John Carpenter and Oscar winners Martin Scorsese, Quentin Tarantino and Bob Richardson. His television credits include The Orville, That 90’s Show, The Upshaws, the reboot of Frasier, How I Met Your Father, Ted and Bob Hearts Abishola. Sparkle’s dynamic talent and consistent drive to go the proverbial extra mile for his clients and co-workers is well known and admired throughout the business.

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Gosia Grzyb  is a senior colorist at Headquarters whose speciality is grading narrative series and independent films. Over the years, Gosia has graded numerous films that have premiered at the major festivals including three that debuted as Official Selections at Sundance. Her series work includes Netflix’s Blood of Zeus, Apple TV’s Slumberkins, Best Foot Forward and Amber Brown, ABC Signature’s Promised Land and Everything’s Gonna Be Okay for Freeform. Gosia also has commercial experience, color correcting Lagavulin, Hers and Hello Bello spots.
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Derek Herr  is a senior finishing editor at Headquarters for both broadcast/streaming series and Digital Intermediate feature projects. He is an accomplished and respected editor who works on multiple platforms that include Avid, Resolve, and Flame. In addition to his finishing skills, Derek is also recognized throughout the industry as an excellent VFX artist and supervisor. His editorial credits include the reboot of Frasier for Paramount+, Sacrifice, Amber Brown, Promised Land, Ray Donovan, Rosewood, Devious Maids and House.
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Chris Currall  is a lead finishing editor and vfx artist for both narrative series and independent films. His talents and skills have been on display on series such as That 90’s Show, The Upshaws, Blood of Zeus, Bosch, Empire, Halt and Catch Fire, Dear White People, Falling Skies and Arrow. He is extremely well-versed on many editing and visual effects platforms including Avid, Resolve, and Flame.
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Toby Rogers  is lead editor for DI feature finishing at Headquarters. He brings a unique skill set to his work with his knowledge of editorial platforms, data management, and engineering systems and integration. Toby’s credits as lead editor include documentaries such as My Sister Liv and the Grammy Winning documentary Quincy, as well as the docuseries John Carpenter’s Suburban Screams. Among Toby’s feature credits are Gray Matter, The Prank, The Birth of a Nation, the 2016 Sundance winner of the Grand Jury and Audience Awards and Burning Sands, and Official Selection to the 2017 Sundance Film Festival.
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Justin Sale  Now a seasoned professional, Justin started at Headquarters during his senior year at North Carolina School of the Arts as an intern with the company. After graduation, he joined Headquarters full time as a data wrangler, restoration artist, and editorial assistant. He supports the many workflows the company provides, and plays an integral role in the final content deliveries of our feature films and broadcast programs.

Chris Gordon  is the Senior dailies colorist at Headquarters skillfully working on series television and independent feature films. In his early days in post production, Chris worked as an audio assist, transitioning to color in 2003. Since then, he has worked on such projects as Grey’s Anatomy, Promised Land, Gray Matter and Private Practice. Additionally, Chris has expanded his impressive skill set to include IO, file transcoding and deliverables. He is an all around Post Professional that enjoys long walks on the beach, collecting cars and is a proud husband and father of two amazing children.

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